100 Days, 100 Comics #100: ‘Captain America’ #641

I’m happy that #100 gets to be a Captain America book. Yes, maybe I should have selected something riskier to end this review series, but issue #614 by Ed Brubaker and Butch Guice allows me to bow out of “100 Days, 100 Comics” with a pleasant taste in my mouth. From Dr. Faustus’ courtroom escapades … Read more100 Days, 100 Comics #100: ‘Captain America’ #641

100 Days, 100 Comics #99: ‘T.H.U.N.D.E.R. Agents’ #1

Nick Spencer has really skyrocketed up my list of writers to follow the last few months. Existence 2.0 never did it for me back in 2009, but Morning Glories made me a believer, and the owner of Evil Squirrel Comics up in Rogers Park recommended that I pick up his first issue of this new … Read more100 Days, 100 Comics #99: ‘T.H.U.N.D.E.R. Agents’ #1

100 Days, 100 Comics #98: ‘Wolverine and Jubilee’ #1

At their worst, X-Men stories completely glaze over their characters’ uniqueness and let the mutant class issues that Uncanny X-Men was built on dissolve into bland, sanitized adventures that stare down “God Loves, Man Kills” from an opposite corner of the storytelling spectrum. When writers really understand what they’re doing, as Kathryn Immonen and Phil … Read more100 Days, 100 Comics #98: ‘Wolverine and Jubilee’ #1

100 Days, 100 Comics #97: ‘Fantastic Four’ #587

SPOILERS IN HERE, FAIR WARNING: Well, marketing-wise this issue did everything Marvel wanted it to for me. The 11th-hour pre-release hype about the death of the Human Torch made me want to know how Jonathan Hickman and Steve Epting were going to dispose of him, and I stained my fingers black stretching and wrestling with … Read more100 Days, 100 Comics #97: ‘Fantastic Four’ #587

100 Days, 100 Comics #96: ‘Morning Glories’ #’s 1-3

Of the big three pamphlet comics publishers who launched their own comiXology apps in 2010, Image Comics came the closest to achieving the storefront and selection that I would like to see as a reader and iPad owner. $1.99 is pretty much the ceiling for what I’m willing to pay for a 24-page digital edition … Read more100 Days, 100 Comics #96: ‘Morning Glories’ #’s 1-3

100 Days, 100 Comics #95: ‘X’ed Out’

I’m sure that if William S. Burroughs had ever been given the opportunity to direct a Ziegfield Follies segment featuring a thousand performers playing Tintin and Rosebud from “Citizen Kane,” audience members would have walked away with approximately the same sensation that reading Charles Burns’ graphic novel “X’ed Out” from Pantheon leaves on the mind. … Read more100 Days, 100 Comics #95: ‘X’ed Out’

100 Days, 100 Comics #94: ‘Captain America: Man Out of Time’ #1

You know those montage pages at the end of DC books like Superboy #1 this week that foreshadow a couple of storyarcs worth of major events? That’s sort what this $3.99 first issue of Captain America: Man Out of Time from Mark Waid and artist Jorge Molina felt like. Waid’s dialogue was in great form … Read more100 Days, 100 Comics #94: ‘Captain America: Man Out of Time’ #1

100 Days, 100 Comics #93: ‘Superboy’ #1

DC’s new Jeff Lemire-scripted Superboy series has been one of their most anticipated launches of the year, and after reading through issue #1, you’ll probably see the common ingredients it shares with Grant Morrison’s All Star Superman and Smallville and immediately understand exactly why that is. That’s not to take anything away from the original … Read more100 Days, 100 Comics #93: ‘Superboy’ #1

100 Days, 100 Comics #92: ‘Beetle Bailey: The Daily and Sunday Strips, 1965’

Beetle Bailey eclipsed the 1,000-newspaper mark with its circulation in 1965 and was only the second comic to do so after Blondie. For a year marked by Lyndon B. Johnson’s “Great Society” declaration, conflict in Vietnam, and marches in Selma, Alabama, Beetle Bailey: The Daily and Sunday Strips, 1965 from Titan Books presents a artifact … Read more100 Days, 100 Comics #92: ‘Beetle Bailey: The Daily and Sunday Strips, 1965’

100 Days, 100 Comics #91: ‘Strange Tales II’ #1

Two of my favorite moves Marvel has made in the last few years involved relaunching their What The–?! brand as a Robot Chicken-styled absurdist take on their universe and re-introducing Strange Tales as a vehicle for indie creator populated anthologies. The initiatives asserted an awareness of Marvel’s places in the broader ecosystems of online media … Read more100 Days, 100 Comics #91: ‘Strange Tales II’ #1